Dark Souls and Storytelling

For any avid fans of Dark Souls whom are looking for my interpretation of the story in any of the Souls games, I’ll save you the trouble now of reading: I will not be laying out the story. I have failed you.

What I want to talk about is the way that Dark Souls tells a story and how I have borrowed it’s method when it comes to it’s unique way of telling a story. It’s story is equal parts narrative, exploration, and revelation.

Dark Souls doesn’t tell you a story. Not really. It offers up a world that has a rich narrative and silently bids you to do what you will with it. The game play in Dark Souls is pretty simple: you are a the Chosen Undead and it is your job to go forth, defeat those that stand in your way, and “link the fires.”

You can play and enjoy the entire game without ever asking any questions. Dark Souls compelling game play basically distills down to “get good.” Each enemy, no matter how menial, is dangerous. You must learn to fight each enemy, gauge the terrain, find the exploits, and defeat those in your way. It is a very difficult game, but the reward is that fist pumping excitement when you finally grasp victory. The game does an amazing job of making you feel like you accomplished something.

Here is a question I started asking myself about halfway through Dark Souls: why do I need to link the fires? You start to notice that enemies and areas aren’t ambiguously named. There aren’t places like “The Dark Forest” or “The Forgotten Castle.” Locations and (most) bosses have distinct names and titles like Ornstein and Smough, Seath the Scaleless, Crossbread Priscilla, and Dark Sun Gyndolin, just to name a few.

If you were like me you begin squinting at the game and silently mouthing, Who are you?”

If you pay attention to the environment and start to pour through descriptions on your items (sneaky bastards) you can start to piece things together. It may seem as though a lot of these areas are simply slapped together for game play sake, but the writers behind Dark Souls had a definite, clear story in mind for the game; you just need to dig it up.

The only reason I think this method works is because they made double sure that you don’t have to know it at all to play the game. The game itself is about combat and exploration, and they put a lot of time creating a rich, cohesive world to run around. It feels like a 3D Metroidvania game:  massive, sprawling segments with things to find and secrets to uncover. Diving deep into one area to find the key to unlock another. Pathways that wind back into themselves to create this sense that everything is connected (sometimes literally).

For many people, I understand that having to find the story seems ludicrous. But what really works for me is the fact that I didn’t even know the story was there, and I got to have that feeling of satisfaction of slotting pieces together and realizing what happened. There is no greater feeling of excitement and urgency than realizing midway through a segment that you know what happened, and you suddenly see everything with a new gaze.

And you find this by paying attention to the world environments, and reading descriptions from items. As an example:

Havel's Ring Dark Souls 3

You get this ring after defeating Havel in Dark Souls. He’s not actually a boss, just a heavy plated knight at the base of a tower. Almost innocuous. You wouldn’t have known he was important unless you got his equipment.

Each item has a description like above: it tells you immediately what it does, and then if you are interested, it tells you a little about the wearer or the world surrounding it. You find out that the knight was named Havel, and he fought alongside—wait, Gwyn the First Lord?

And then more questions fill your mind: what the hell was Havel doing at the base of that tower? What was he guarding? Why is he here? And where is Gwyn?

Eventually you find other items that begin to fill you in on what happened. And this happens for any number of bosses, characters, or areas until you have a complete, albeit hazy understanding of what happened. Your exploration and determination uncovered the mystery. It’s really satisfying.

And then you start to realize that the environment is also telling you a story. There is a castle full of undead soldiers and barricades trying to keep something out, but what were they fighting against? There is the abandoned city of Anor Londo: where did everyone go? What is this massive library apart from the city for? What were they studying?

The scope of the games becomes much more enjoyable when you realize that nearly every single thing matters to the narrative hidden beneath the surface. Things as simple as “What is this monster from the first area doing in the last area?” become massive clues to the world and story at large.

Many games have done this. Filling you in on tidbits of history with item descriptions. Dark Souls wastes nothing, not even these descriptions. Armor sets usually tell you a tiny bit about other countries, establishing the world at large. Weapons might tell you about the bearer and why they have this. Some tell you about how characters knew one another. The more you collect and observe, the more you understand the world around you, and no one had to fill you in in a cut scene.

I can’t really full explain it unless you are already excited about the Souls games, so I’ll save you the gush. But what has affected me the most from these games is how I want to tell a story.

I have been accidentally doing this in Rogue Trader; I try and build backstories for basically every important NPC I create, and I keep this information up to date on a wiki for my players.. I put extra information on the wiki so that my players can go read more about what they are doing, and maybe sprinkle in a couple of questions they could be asking.

This has been my emphasis for my proprietary DnD realm I’m building. I want each area to have the quest, but also have enough of a story written into the details that the players can basically locate secret objectives. I want the world to feel rich with mystery, because the feeling of discovery is awesome.

A haven’t really experienced this much as a player outside of video games and some books. But I want to encompass that feeling in Rogue Trader and my story writing, that feeling of exploration, discovery, and revelation. I will endeavor to continue and I will always look to Dark Souls for inspiration because the feeling I got while playing that game is irreplaceable.


Can You Experience the World Without Seeing It?

Been chatting with the IT guy at work.  He just got the PlayStation VR kit and he’s in fucking love with it.  He concedes that there isn’t much to do on it yet, but he is convinced that it’s the coolest thing of our day and age.

When we originally started this blog I brainstormed like ten to twelve ideas for things to write about.  One of them was could you use Google Maps and various forums to become cultured?  If we start creating simulations of various famous places and eventually the world in VR, will experiencing these places be the same as having gone there yourself?

I learn more about the world from my computer than I do by traveling obviously.  Learning the facts and reading about various cultures is all well and good, but how do we define experience?  Is there something about physical presence that is required?

I’ve been to Paris and I’ve seen the Notre Dame with my own eyes.  Its a magnificent building and a beautiful church.  If you created a virtual simulator that was photorealistic and told me it was fake, would that change my experience?  You can capture the texture, the size, the location, the weather- so is there actually a barrier?

Now that I’ve set it up I’m going to knock it down by saying that no, it will never be the same.

My job is to create images that are realistic enough to concept and prototype fixtures that will exist in the real world.  I spend my time at work creating photorealistic images.  I can find real textures and create super accurate materials.  I can use lighting profiles from electric companies to perfectly simulate light color, diffusion, decay and light shape.  I can tell my computer to make thousands of calculations per pixel to create the greatest quality image.

The problem I face creating these images is that I know its a rendering, not a photo.  I’m sure most people look at my images and are able to identify that they are fake.  Even if its completely photo-accurate, my biggest disadvantage is the human mind.

With all of that being said your mind will understand and process the actual event more than any simulation.  You will know and rationalize a simulation because your mind connects the distance between sight and understanding.  It’s the same reason seeing a photo or a video of these places and peoples will never be the same as being there.

Food for thought.